The Pre-Raphaelite Society invites anyone with an interest in nineteenth- century art to submit a manuscript of not more than 2000 words for The John Pickard Essay Prize. The topic may relate to any individual connected to the Pre-Raphaelite circle. The winner will receive a £100 prize and publication in the Spring 2010 issue of the Society's Review . Essays by runners-up may also be published. The selection will be made by the committee of the Pre-Raphaelite Society. Entries are to are due 31 December 2009, and may be sent to Serena Trowbridge, serenatrowbridge@bcu.ac.uk .
It is almost inconceivable that one institution could have as many as 2,300 works by the Pre-Raphaelites and their associates, and perhaps even more unbelievable that all of them could be digitized and made available online. Yet it's true. All of the Birmingham Museum and Art Gallery's massive collection—paintings and drawings major, minor, iconic, and forgotten—is now on the Pre-Raphaelite Online Resource . I can't say too many good things about this remarkable "resource." The images are superb (produced with Microsoft's Silverlight technology which captures minute detail, even when zoomed in at almost microscopic levels). Access is by a first-rate search mechanism simultaneously providing ease-of-use and an elaborate filtering mechanism, enabling both casual viewing and research by specialists. A search for Rossetti returns 385 items, for Morris over 600, and for Burne-Jones an astonishing 1,035. There are detailed notes and thematic introductions which use
Save the Date! Useful and Beautiful: The Transatlantic Arts of William Morris and the Pre-Raphaelites 7–9 October 2010 Newark and Wilmington, DE A conference and related exhibitions, 7-9 October 2010, at the University of Delaware (Newark, DE) and at the Delaware Art Museum and the Winterthur Museum and Country Estate (Wilmington, DE). Organized with the assistance of the William Morris Society, Useful and Beautiful will highlight the strengths of the University of Delaware’s rare books, manuscripts, and art collections; Winterthur’s important holdings in American decorative arts; and the Delaware Art Museum’s superlative Pre-Raphaelite collection (the largest outside Britain). This conference will focus on the multitude of transatlantic exchanges that involved Morris, the Pre-Raphaelites, and the arts and crafts and aesthetic movements of the late nineteenh century. We will invite papers that explore relationships and influences—whether personal, intellectual, political, or aesthetic—
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